Planet Earth - The Complete BBC Series

As of its release in early 2007, Planet Earth is quite simply the greatest nature/wildlife series ever produced. Following the similarly monumental achievement of The Blue Planet: Seas of Life, this astonishing 11-part BBC series is brilliantly narrated by Sir David Attenborough and sensibly organized so that each 50-minute episode covers a specific geographical region and/or wildlife habitat (mountains, caves, deserts, shallow seas, seasonal forests, etc.) until the entire planet has been magnificently represented by the most astonishing sights and sounds you'll ever experience from the comforts of home. The premiere episode, "From Pole to Pole," serves as a primer for things to come, placing the entire series in proper context and giving a general overview of what to expect from each individual episode. Without being overtly political, the series maintains a consistent and subtle emphasis on the urgent need for ongoing conservation, best illustrated by the plight of polar bears whose very behavior is changing (to accommodate life-threatening changes in their fast-melting habitat) in the wake of global warming--a phenomenon that this series appropriately presents as scientific fact. With this harsh reality as subtext, the series proceeds to accentuate the positive, delivering a seemingly endless variety of natural wonders, from the spectacular mating displays of New Guinea's various birds of paradise to a rare encounter with Siberia's nearly-extinct Amur Leopards, of which only 30 remain in the wild.

That's just a hint of the marvels on display. Accompanied by majestic orchestral scores by George Fenton, every episode is packed with images so beautiful or so forcefully impressive (and so perfectly photographed by the BBC's tenacious high-definition camera crews) that you'll be rendered speechless by the splendor of it all. You'll see a seal struggling to out-maneuver a Great White Shark; swimming macaques in the Ganges delta; massive flocks of snow geese numbering in the hundreds of thousands; an awesome night-vision sequence of lions attacking an elephant; the Colugo (or "flying lemur"--not really a lemur!) of the Philippines; a hunting alliance of fish and snakes on Indonesia's magnificent coral reef; the bioluminescent "vampire squid" of the deep oceans... these are just a few of countless highlights, masterfully filmed from every conceivable angle, with frequent use of super-slow-motion and amazing motion-controlled time-lapse cinematography, and narrated by Attenborough with his trademark combination of observational wit and informative authority. The result is a hugely entertaining series that doesn't flinch from the predatory realities of nature (death is a constant presence, without being off-putting), and each episode ends with 10-minute "Planet Earth Diaries" (exclusive to this DVD set) that cover a specific aspect of production, like "Diving with Pirahnas" or "Into the Abyss" (the latter showing the rigors of filming the planet's most spectacular caves, including the last filming ever officially permitted in the "Chandelier Ballroom," a crystal-encrusted cavern found over a mile deep in New Mexico's treacherous Lechuguilla, the deepest cave in the continental United States.)

With so many of Earth's natural wonders on display, it's only fitting that the final DVD in this five-disc set is devoted to Planet Earth: The Future, a separate three-part series in which a global array of experts is assembled to discuss issues of conservation, protection of delicate ecosystems, and the socio-economic benefits of understanding nature as a commodity that returns trillions of dollars in value at no cost to Earth's human population. At a time when the multiple threats of global warming should be obvious to all, let's give Sir David the last word, from the closing of Planet Earth's final episode: "We can now destroy or we can cherish--the choice is ours." --Jeff Shannon

The Jungle Book

A classic 1967 Disney animated film that's loosely based on Rudyard Kipling's book of the same name, Jungle Book tells the story of a young boy Mowgli who was raised by animals in the jungle. When tiger Shere Khan threatens to return to their part of the jungle, the other animals decide that Mowgli must return to the man village in order to ensure his safety. Panther Bagheera has difficulty convincing Mowgli to follow him to the man village and recruits the help of a big lovable bear Baloo. Mowgli's journey is one of wit, song, and many surprises. A timeless film populated by strong characters bursting with personality, great music like "Bare Necessities" and "I Wanna Be Like You," and inspiring animation by Frank Thomas, Ollie Johnston, and other master animators, Jungle Book captivates audiences of all ages.

This Platinum Edition includes everything from the standard bonus features like interactive games, music videos, and deleted songs to exciting and sometimes rare commentaries by everyone from modern day animators to Walt Disney himself, multiple featurettes about specific aspects of the film and its production, and a lengthy deleted scene featuring lost character Rocky the Rhino. Especially interesting for adults and Disney fans are "The Bare Necessities: The making of The Jungle Book" featurette, which explores Walt Disney's commitment to developing strong characters and his insistence that writers, animators, and song writers create a light version of Jungle Book that followed his own personal interpretation of the story, and the "The Lure of The Jungle Book" featurette, which discusses Frank Thomas' and Ollie Johnston's amazing contribution to the film as prolific animators and the inspiration and influence that their work provided for future animators including Brad Bird (The Incredibles), Andreas Deja (Beauty and the Beast and The Lion King), Sergio Pablos (Tarzan), Will Finn (Home on the Range), and Eric Goldberg (Fantasia 2000). The full length commentary by Bruce Reitherman (voice of Mowgli), animator Andreas Deja, and composer Richard Sherman with its interspersed archival commentary of Disney greats from the original creative team (Frank Thomas, Ollie Johnston, Woolie Reitherman, and others) is also very interesting and insightful. --Tami Horiuchi

Jeff Dunham: Spark of Insanity

Jeff Dunham and his socially reckless "suitcase posse" are back in this highly anticipated follow-up to Arguing with Myself, his breakthrough television special and multi-platinum selling DVD release! What's next?



An ALL NEW show that is Bigger... Better... and Funnier than ever!

This time, Dunham welcomes two never-before-seen partners "Achmed the Dead Terrorist," and "Melvin the Superhero." Long-time favorites "Peanut," "Walter" and Jose Jalapeno...On a STEEK! are back in an entirely original show for everyone!

Seinfeld - Season 9

Seinfeld's final season seems to take its cue from a little piece of "showmanship" advice that Jerry offers to the hapless George (Jason Alexander) in the episode "The Burning": "When you hit that high note, say goodnight and walk off." In television, as in comedy, timing is everything, and that's what Seinfeld, No. 1 in the ratings, did. The show that TV Guide would later rank the greatest of all time, left the stage, perhaps not at the top of its game, but at least on its own terms. To the end, Jerry, George, Elaine (Julia Louis-Dreyfus), and Kramer (Michael Richards) remain true to the show's misanthropic muse. In the episode "The Merv Griffin Show," Jerry induces sleep in his new girlfriend so he can have his way with her retro toy collection. In "The Apology," George relentlessly badgers an old acquaintance (James Spader) now in AA, for a Step Nine apology over a long-ago insult. At one point, Elaine resumes her on again-off again relationship with Puddy (Patrick Warburton) because she needs a bureau moved. In the end, it all comes crumbling down for the so-called "New York Four" when they are put on trial in a Massachusetts courtroom for violating a Good Samaritan Law after not coming to the aid of an obese carjack victim. A parade of lack-of-character witnesses spanning the series' near-decade-long run, from Mabel Choate, the Marble Rye Lady, to Babu and the Soup Nazi testify how they were "abused, wronged, deceived, and betrayed" by Jerry and company. Anyone expecting Seinfeld or Larry David to apologize for this bitter, and not at all sweet, finale, can just stuff those sorrys in a sack, mister. In "The Last Lap," a bonus featurette about Seinfeld's decision to end the series despite unprecedented offers from NBC brass to continue, they acknowledge the episode's "mixed reaction," but remain defiant. As Alexander notes, nothing could have lived up to the massive hype the episode received.

Seinfeld's ninth does not quite leave audiences wanting more. While there are several great episodes, including "The Butter Shave," "The Betrayal," "The Cartoon," and "The Maid," the season is loaded with what George might call "gaffes," including a series nadir, "Puerto Rican Day," which in these PC times, drew enough protest to hinder its rebroadcast. The writing this season is more outrageous (see "The Merv Griffin Show," in which Kramer salvages a discarded talk-show set and installs it in his apartment), but there are enough inspired bits of silliness (fleeting season-opening mustaches in "The Butter Shave," a live-action re-creation of the classic arcade game in "The Frogger," and Jerry's silly voice in "The Voice") to keep Seinfeld's legacy intact. As an added bit of showmanship, this set contains bountiful extras, perhaps the most interesting being a chronological re-edit of the backwards episode, "The Betrayal." Season 9 may not win Seinfeld any new fans, but this DVD set is a Festivus for the rest of us. --Donald Liebenson

Battlestar Galactica - Season One

Battlestar Galactica's Edward James Olmos wasn't kidding when he said "the series is even better than the miniseries." As developed by sci-fi TV veteran Ronald D. Moore, the "reimagined" BG is exactly what it claims to be: a drama for grown-ups in a science-fiction setting. The mature intelligence of the series is its greatest asset, from the tenuous respect between Galactica's militarily principled commander Adama (Olmos) and politically astute President Roslin (Mary McDonnell) to the barely suppressed passion between ace Viper pilot "Apollo" (a.k.a. Adama's son Lee, played by Jamie Bamber) and the brashly insubordinate Starbuck (Katee Sackhoff), whose multifaceted character is just one of many first-season highlights. Picking up where the miniseries ended (it's included here, sparing the need for separate purchase), season 1 opens with the riveting, Hugo Award-winning episode "33," in which Galactica and the "ragtag fleet" of colonial survivors begin their quest for the legendary 13th colony planet Earth, while being pursued with clockwork regularity by the Cylons, who've now occupied the colonial planet of Caprica. The fleet's hard-fought survival forms (1) the primary side of the series' three-part structure, shared with (2) the apparent psychosis of Dr. Gaius Baltar (James Callis) whose every thought and move are monitored by various incarnations of Number Six (Tricia Helfer), the seemingly omniscient Cylon ultravixen who follows a master plan somehow connected to (3) the Caprican survival ordeal of crash-landed pilots "Helo" (Tahmoh Penikett) and "Boomer" (Grace Park), whose simultaneous presence on Galactica is further evidence that 12 multicopied models of Cylons, in human form, are gathering their forces.

With remarkably consistent quality, each of these 13 episodes deepens the dynamics of these fascinating characters and suspenseful situations. While BG relies on finely nuanced performances, solid direction, and satisfying personal and political drama to build its strong emotional foundation, the action/adventure elements are equally impressive, especially in "The Hand of God," a pivotal episode in which the show's dazzling visual effects get a particularly impressive showcase. Original BG series star Richard Hatch appears in two politically charged episodes (he's a better actor now, too), and with the threat of civil war among the fleet, season 1 ends with an exceptional cliffhanger that's totally unexpected while connecting the plot threads of all preceding episodes. To the credit of everyone involved, this is frackin' good television.

Transformers

"I bought a car. Turned out to be an alien robot. Who knew?" deadpans Sam Witwicky, hero and human heart of Michael Bay's rollicking robot-smackdown fest, Transformers. Witwicky (the sweetly nerdy Shia LaBeouf, channeling a young John Cusack) is the perfect counterpoint to the nearly nonstop exhilarating action. The plot is simple: an alien civil war (the Autobots vs. the evil Decepticons) has spilled onto Earth, and young Sam is caught in the fray by his newly purchased souped-up Camaro. Which has a mind--and identity, as a noble-warrior robot named Bumblebee--of its own. The effects, especially the mind-blowing transformations of the robots into their earthly forms and back again, are stellar.

Fans of the earlier film and TV series will be thrilled at this cutting-edge incarnation, but this version should please all fans of high-adrenaline action. Director Bay gleefully salts the movie with homages to pop-culture touchstones like Raiders of the Lost Ark, King Kong, and the early technothriller WarGames. The actors, though clearly all supporting those kickass robots, are uniformly on-target, including the dashing Josh Duhamel as a U.S. Army sergeant fighting an enemy he never anticipated; Jon Voight, as a tough yet sympathetic Secretary of Defense in over his head; and John Turturro, whose special agent manages to be confidently unctuous, even stripped to his undies. But the film belongs to Bumblebee, Optimus Prime, and the dastardly Megatron--and the wicked stunts they collide in all over the globe. Long live Transformers! --A.T. Hurley

Shrek the Third

It's not easy being an ogre, but Shrek finds it doubly difficult for an ogre like himself to fill in for a king when his father-in-law King Harold of Far, Far Away falls ill in this third Shrek movie. Shrek's attempts to fulfill his kingly duties play like a blooper reel, with boat christenings and knighting ceremonies gone terribly wrong, and to say that Shrek (Mike Myers) is insecure about his new role is a gross understatement. When King Harold (John Cleese) passes away, Shrek sets out with Donkey (Eddie Murphy) and Puss-in-Boots (Antonio Banderas) to find Arthur (Justin Timberlake), the only heir in line for the throne besides himself. Just as Shrek sets sail to find Artie (as Arthur is more commonly known), Fiona (Cameron Diaz) shocks Shrek with the news that she's pregnant. Soon after, Prince Charming (Rupert Everett) sends Captain Hook (Ian McShane) in pursuit of Shrek and imprisons Fiona and her fellow Princesses as part of his plan to install himself as King of Far, Far Away. Shrek finds an awkward Artie jousting with his high school classmate Lancelot (John Krasinski) and, while Artie is certainly no picture of kingliness, Shrek is determined to drag him back to Far, Far Away to assume the throne. Mishaps and comedy abound, including a spell gone wrong that locks Donkey and Puss-in-Boots inside one another's bodies. While Fiona and the other Princesses prove they're anything but helpless women, Artie and Shrek battle their own fears of inadequacy in a struggle to discover their own self-worth. In the end, Shrek, Artie, and Fiona each learn a lot about their individual strengths and what truly makes each of them happy. Of course, it's the pervasive humor and wit that make Shrek the Third so side-splittingly appealing. Rated PG for some crude and suggestive humor, but appropriate for most families with children ages 6 and older. --Tami Horiuchi

Ratatouille

# Tagline: Dinner is served... Summer 2007
# Plot Outline Remy is a young rat in the French countryside who arrives in Paris, only to find out that his cooking idol is dead. When he makes an unusual alliance with a restaurant's new garbage boy, the culinary and personal adventures begin despite Remy's family's skepticism and the rat-hating world of humans.
# Plot Synopsis: A rat named Remy dreams of becoming a great French chef despite his family's wishes and the obvious problem of being a rat in a decidedly rodent-phobic profession. When fate places Remy in the sewers of Paris, he finds himself ideally situated beneath a restaurant made famous by his culinary hero, Auguste Gusteau. Despite the apparent dangers of being an unlikely - and certainly unwanted - visitor in the kitchen of a fine French restaurant, Remy's passion for cooking soon sets into motion a hilarious and exciting rat race that turns the culinary world of Paris upside down.

Pirates of the Caribbean - At World's End (Two-DiscCollector's Edition) (2007)

Product Description

Just when he’s needed most, Captain Jack Sparrow (Johnny Depp), that witty and wily charmer of a pirate, is trapped on a sea of sand in Davy Jones’ Locker. In an increasingly shaky alliance, Will Turner (Orlando Bloom), Elizabeth Swann (Keira Knightley) and Captain Barbossa (Geoffrey Rush) begin a desperate quest to find and rescue him. Captain Jack’s the last of the nine Pirate Lords of the Brethren Court who must come together united in one last stand to preserve the freedom-loving pirates’ way of life. From exotic Singapore, to World’s End and beyond, from Shipwreck Island, to a titanic battle, this adventure’s filled with over-the-edge action, irreverent humor and seafaring myth and magic. Everything has led to this twisting, turning, wild swashbuckling ride in this final chapter of the Pirates Of The Caribbean trilogy

Hairspray (Two-Disc Shake & Shimmy Edition

It's 1962 and change is in the air in Baltimore. Tracy Turnblad, a girl with big hair and big dreams, has only one passion in life - to dance on "The Corny Collins Show." When her chance arrives, she grooves her way into instant stardom and the eyes of teen-dream Link Larkin (Zac Efron). But with the program's scheming stage manager (Michelle Pfeiffer) against her, trend-setting Tracy will need the help of her best friend Penny (Amanda Bynes), her bighearted mother (John Travolta) and sassy co-host Motormouth Maybelle (Queen Latifah) to show the world that all it takes to make a dream come true is a toe-tappin' beat and a little Hairspray!

Live Free or Die Hard - Unrated

Plot Summary

• Genres: Action, Adventure, Crime, Thriller
• Tagline: Yippee Ki Yay Mo - John 6:27
• Plot Outline John McClane takes on an Internet-based terrorist organization who is systematically shutting down the United States.
• Plot Synopsis: When someone hacks into the computers at the FBI's Cyber Crime Division; the Director decides to round up all the hackers who could have done this. When he's told that because it's the 4th of July most of their agents are not around so they might have trouble getting people to get the hackers. So he instructs them to get local PD'S to take care of it. And one of the cops they ask is John McClane who is tasked with bringing a hacker named Farrell to the FBI. But as soon as he gets there someone starts shooting at them. McClane manages to get them out but they're still being pursued. And it's just when McClane arrives in Washington that the whole system breaks down and chaos ensues.

Twelve years after Die Hard with a Vengeance, the third and previous film in the Die Hard franchise, Live Free or Die Hard finds John McClane (Bruce Willis) a few years older, not any happier, and just as kick-ass as ever. Right after he has a fight with his college-age daughter (Mary Elizabeth Winstead), a call comes in to pick up a hacker (Justin Long, a.k.a. the "Apple guy") who might help the FBI learn something about a brief security blip in their systems. Now any Die Hard fan knows that this is when the assassins with foreign accents and high-powered weaponry show up, telling McClane that once again he's stumbled into an assignment that's anything but routine. Once that wreckage has cleared, it is revealed that the hacker is only one of many hackers who are being targeted for extermination after they helped set up a "fire sale," a three-pronged cyberattack designed to bring down the entire country by crippling its transportation, finances, and utilities. That plan is now being put into action by a mysterious team (Timothy Olyphant, Deadwood, and Maggie Q, Mission: Impossible 3) that seems to be operating under the government's noses.

Live Free or Die Hard uses some of the cat-and-mouse elements of Die Hard with a Vengeance along with some of the pick-'em-off-one-by-one elements of the now-classic original movie. And it's the most consistently enjoyable installment of the franchise since the original, with eye-popping stunts (directed by Len Wiseman of the Underworld franchise), good humor, and Willis's ability to toss off a quip while barely alive. There was some controversy over the film's PG-13 rating--there might be less blood than usual, and McClane's famous tag line is somewhat obscured--but there's still has plenty of action and a high body count. Yippee-ki-ay! --David Horiuchi